ars viva 2026

Ryan Cullen, Nazanin Noori, Prateek Vijan

14. 3.

25. 5. 2026

Nazanin Noori, AMBIENT ROOM, walk-in sound, room and video installation, exhibition view EIGEN+ART Lab, 2021, © the artist, photo: Peter Oliver Wolff
Nazanin Noori, AMBIENT ROOM, walk-in sound, room and video installation, exhibition view EIGEN+ART Lab, 2021, © the artist, photo: Peter Oliver Wolff

The exhibition presents the three ars viva winners 2026, focusing on a young generation of artists. The contributions, developed specifically for the exhibition, comment on cultural, social and political interconnections in a variety of impressive ways.

In his paintings and sculptures, Ryan Cullen addresses political and ideological structures. Nazanin Noori explores the connection between architecture, sculpture and sound, creating multi-sensory narratives that combine intercultural poetic and musical sources. Prateek Vijan examines who is granted access to which systems and in what way. With his installations, he confronts visitors with situations of exclusion and barriers, which he makes spatially tangible.

The Kulturkreis has awarded the ars viva prize for visual arts annually since 1953 to outstanding young artists under 35 living in Germany. The Marta Herford is the first of two exhibition venues. The exhibition will move to the Kunstverein Braunschweig in December.

Nazanin Noori’s installation is activated as a sound space daily at the following times:
11 a.m., 1.20 p.m., 3.40 p.m., and additionally at 6 p.m. on Wednesdays

Accompanying program

Fr, 13. 3. 2026, 19–22 Uhr
Event

We warmly invite you and your friends to the opening of the exhibition ars viva 2026 – Ryan Cullen, Nazanin Noori, Prateek Vijan in the Lippold Gallery (1st floor).

The opening speeches will take place at 7:00 PM in the Marta Forum.

You will be welcomed by Kathleen Rahn, Director of Marta Herford, Dr. Daniel Teubner, First Deputy Mayor of the City of Herford, and Ulrich Sauerwein, Chairman of the Visual Arts Committee, Kulturkreis der deutschen Wirtschaft. Friederike Korfmacher, Assistant Curator at Marta Herford, will then give an introduction to the exhibition.

The Marta art speakers will be present in the exhibitions from 6 – 9 PM to answer your questions or discuss the art.

The Marta Café is open and offers a delicious selection of food and drinks.

We look forward to your visit!

Admission

Admission is free from 6 to 10 PM!

The exhibition is open from 6 PM.

Sa, 14. 3. 2026, 12–13:30 Uhr
Event

To mark the opening of the exhibition ars viva 2026 – Ryan Cullen, Nazanin Noori, Prateek Vijan, the exhibiting artists will discuss their artistic practice and the works in the exhibition in conversation with Friederike Korfmacher (Assistant Curator, Marta Herford). In addition, Min-young Jeon (Head of Curatorial Department, Visual Arts, Kulturkreis der deutschen Wirtschaft) will speak about the work of the Kulturkreis der deutschen Wirtschaft and the ars viva prize.

The exhibition presents the three ars viva prizewinners of 2026, focusing on a young generation of artists. The contributions developed and selected specifically for the show comment in different and striking ways on cultural, social, and political interconnections.

Ryan Cullen (*1992 in Boston, USA) addresses political and ideological structures in his paintings and sculptures. In an interplay of surfaces, images, and material presence, the value system of a capitalist present unfolds. Nazanin Noori (*1991 in Wiesbaden, Germany) explores the connection between spatial architecture, sculpture, and sound, creating multisensory narratives in which intercultural poetic and musical sources converge. Prateek Vijan (*1991 in New Delhi, India) examines who is granted access to which systems, and in what way. With his installations, he confronts visitors with situations of exclusion and barriers, making them spatially tangible.

The Kulturkreis has awarded the ars viva prize for visual arts annually since 1953 to outstanding young artists under 35 living in Germany.

Ticket

Included in the exhibition admission

Information

In German and English

In the exhibition space in the Lippold Gallery, first floor

Thanks

We would like to express our sincere thanks to the Marta Herford Corporate Partners and Corporate Premium Partners, as well as the Marta Fund for New Art, for their long-term support of our program.

In cooperation with

Sponsored by

Accompanying program

17.00 19.30
Marta HOCH 2

Violin, accordion, tambourine – whether with or without experience, with your own instrument or simply a desire for something new: everyone is invited to listen and jam. For music enthusiasts and instrumentalists.

Registration
no registration required, free admission, everyone is welcome

All information about Marta HOCH 2 here.

18.00 20.00
Guided tour

Enjoy art after work: Every Wednesday, the Marta invites you to end the day with a relaxed visit to the exhibition until 8 p.m.

18.00 19.00
Guided tour

In a one-hour tour with our freelance art educators through the current exhibitions, you will receive information about the exhibiting artists and their works and have the opportunity to ask questions about the art.

Ticket
3.50 euros plus exhibition entrance fee

Registration
no registration required

19.00 20.00
Event

Los Angeles, the metropolis of the U.S. West Coast, was located in the second half of the 20th century far from the art centers of the time (New York, Paris, Cologne). The vast and untamed West, which had little prior artistic influence, fostered freedom of action and thought, leading to groundbreaking artistic expression. A prime example of this is CalArts (California Institute of the Arts), the art college founded by Walt Disney in 1970 near Los Angeles. CalArts developed a radical, pioneering educational model whose interdisciplinary approach drew on European and American institutions such as the Bauhaus and Black Mountain College. In addition to conceptual art, teaching programs by artists such as John Baldessari’s “Post Studio Program” and the “Feminist Art Program” by Miriam Schapiro and Judy Chicago were also groundbreaking. Driven by the spirit of the 1970s, legendary pool parties, and courses such as “Advanced Drug Research,” a unique cultural dynamic emerged: it transformed the West Coast and Los Angeles into a central hub for artistic production and contemporary discourse (a status that continues to this day).

In her lecture, Christina Végh (born in Zurich in 1970), director of the Kunsthalle Bielefeld, offers insights into the events of that time. She introduces individual protagonists and eyewitnesses through filmed oral history interviews. In 2019, Végh curated the exhibition *Where Art Can Happen: The Early Years of CalArts in 2019 (at the Kestner Gesellschaft in Hanover), together with Philip Kaiser (independent curator, Los Angeles), as part of a three-year research project in cooperation with Freie Universität Berlin (Prof. Dr. Annette Jael Lehmann) and metaLAB (at) Harvard, Boston (Prof. Dr. Jeffrey Schnapp, Kim Albrecht), and in collaboration with IMAGE and CONTENT, Zurich (Reto Caduff, documentary filmmaker).

Lecture as part of the exhibition’s accompanying program Mindset Los Angeles – Frank Gehry and the Cool School

 

Ticket:

Included with admission to the exhibition or 5 euros / reduced rate: 3 euros

 

Exhibitions

Accompanying program

17.00 19.30
Marta HOCH 2
18.00 20.00
Guided tour
18.00 19.00
Guided tour
19.00 20.00
Event